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There are a number of sources for prefabricated 3D model components, many with a high level of detail These are good labor savers in realistic models; some care has to be taken, however, to provide for artistic consistency in the model by not combining areas with high and low levels of abstraction and potentially creating confusion for the viewer This phenomenon has similarities to 2D art and graphic design; an understanding of design principles and an aesthetic eye will help the delivery of a clear message with the 3D model Solid Model Organization The organization of the model refers to the manner in which the model components (and connected information) are organized in the software file Generally this organization will be related to the actual project, ie, number of stories, number of wings, etc The model organization is characteristic of the software, however; and it is the architecture of the software that will determine how a project model and its relevant information can be organized within the software file Almost all software tools that create 2D and 3D objects and images allow the layering of the file contents The layers are transparent sheets with names that contain various 2D and 3D content that can be shown or hidden, and locked or unlocked Thus combinations of layers can provide selected views of the contents of the model that are relevant for any particular reason; eg, showing only the structural layers will reveal views of the structural framing of a project, so when the architectural layers are also turned on, the model views will show both structure and architecture The layers are also a means to select particular elements in groups Generally layers can be edited, and content can be moved or removed from layers at any time Use of the layer structure is one of the primary means of viewing and selecting/editing elements in a model In general the layer structure will stay with the model contents when it is translated into another format for use in another software It is thus advisable to choose an easy-to-learn naming system for the layers, so that people unfamiliar with the file can find their way around in it A major difference between Revit and the other primary architectural modeling tools is the absence of layers in Revit Elements are instead created as families and types and can also be selected as such The project browser and the visibility graphics override determine what is shown or hidden, eg, the electrical plan or the framing plan of the project Especially in the development phase of a project, the editing of both the components themselves and the attached information is continual The components of the model therefore need to be well organized in layers (and/or stories, zones, etc), so that at any given time they can be easily selected in the model All components need to be organized so that multiple objects can be selected by type and edited in a single operation At the same time the organization has to remain simple enough not to slow down the file manipulation, especially by others who will need to learn that organization before being able to manipulate the file freely When sequence studies are made, it is again necessary to be able to select groups of components to attach time-related information to them from the construction schedule This operation can be tedious and needs to be properly prepared by an appropriate structure of the model parts.

Executes one of a given set of switch (version) { statements based on the case 67: constant value of a given photo = Photograph.ReadVer67(s); expression. If a match for the break; . . . current value is not found, then a default statement can default: optionally be executed. throw ApplicationException(

"Unrecognized album version"); }

Represents the current instance for which a method is called. Static member functions cannot employ the this keyword. Raises a new exception, or reraises a caught exception.

fact, than just about any other job in development or production A designer seldom has ultimate authority over his game, even if he s the lead designer Everyone on the project wants to make a creative contribution, and that means that ideas and suggestions will be coming in all the time Part of the designer s job is to take this material and decide which of it is genuinely useful and which won t work, then integrate the best parts into the game This often means compromise and a certain amount of ego-management as well Because the job is so collaborative, game design requires people skills and leadership ability in addition to the other qualities needed As you might expect, a game designer s work is heavily loaded toward the beginning of the project They work all the way through, but the most intense and creative period occurs during pre-production and prototyping, because that s when decisions are made that become expensive to change later on

try; catch; section 2.3.2, page 58)

C# keywords (continued) Keyword true Description As in operator in user-defined types, defines the meaning of true for instances of that type. As a literal, the boolean value of true. Example

.

public static bool operator true(MyType x) { // Return whether MyType is "true" } bool isAppendix = true;

Because game designers work changes significantly as they move up, I will describe each job in the career ladder separately, starting at the bottom

// Open a file FileStream fs = new FileStream(...); try { // Do something with open file } catch (IOException ex) { // Handle caught exception } finally { fs.Close(); // ensure file closure }

Type t = typeof(Photograph); Obtains the System.Type object for a given type. Use the Object.GetType method to obtain the type instance for an expression.

Denotes an unsigned 32-bit integer value. Use the u or U suffix to denote an integer value as a uint type. Denotes an unsigned 64-bit integer value. When using the L suffix to denote a long integer or the U suffix to denote an unsigned integer, the value is considered ulong if it is beyond the range of the long or uint type, respectively.

Level designers build the individual levels or missions that make up the game They re the ones who decide what the player will be trying to achieve at any given moment during the game They take the game elements and mechanics that the designers have created, and use a level editor to create the challenges that the player will face Level designers are a strange contradiction: although they have the least amount of design authority over the interior mechanics of the game, they have the greatest effect on the player s actual experience of it If the company were designing Monopoly, it would be a level designer who decides how the properties are distributed around the board, where all the Chance and Community Chest squares are, and how much rent each property charges A level designer is also partly a tester: is up to him not only to create the level, but also to playtest and balance it The level designer reports back to the designers if he finds that there are certain strategies that always win, or certain units or elements of the game that don t have any practical use Level design is a job that s easy to get experience in before you start job-hunting, because so many games now ship with level editors built in You can create your own levels for Warcraft III and similar games and add them to your portfolio